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Céline Artaud's avatar

Tamara, your essay did more than speaking to me, it saw me. It’s rare that I read something that feels like a mirror held not to the face but to the soul’s quieter corners. You write of intimacy with the precision of a scholar and the ache of someone who has waited for it, longed for it, and perhaps had to learn to live without it more than once.

There’s a line I keep rereading: “To be truly intimate is to be dangerously unarmed.” That sentence alone cracked something open in me. It reminds me of how we armor ourselves against our own depth—out of fear that to reveal our rawness is to risk being too much, or worse, not enough.

And yet, what you add, this radical, unmarketed, anti-spectacle kind of presence, is exactly the kind of human connection I think we are all secretly starving for. In a world that demands clarity and speed, you honor the ambiguous, the liminal, the slow burn. You remind me that intimacy isn’t symmetrical, and that doesn’t mean it isn’t sacred. That nuance alone feels like a balm for all the relationships I’ve grieved without permission.

If I may add a thread to your tapestry: intimacy also asks us to live with the unanswered… silence, and ambiguity. The friend who never explains their sudden distance. The text that is never replied to. The love that bloomed but never rooted. True intimacy doesn’t guarantee clarity bur it demands we stay present even in uncertainty.

Your writing is an act of reclamation. Thank you for putting words to what so many of us have only ever felt in fragments. I walk away from this humbled. And hungry for less performance, and more presence.

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Jörgen Löwenfeldt's avatar

I would like to move into this essay and stay there forever. That’s not very realistic, though, so instead I send it to everyone I know. Maybe that brings the world slightly closer to intimacy.

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